I Seduce You; You Seduce Me

The Seduction of a Story

This is the first of a three-part article specifically aimed at you, my fellow naughty scribes. Indeed, we are like most fiction writers in that we endeavor to simply tell a good story, build rich, interesting characters, set time and place in a way where the reader can ‘feel’ themselves in the action. But between our beginning, the middle meat of the tale, and some sort of satisfying end, an erotic story needs to have some sure heat in it. The level of that heat and where it leads, if anywhere at all, is up to you. How you mix that heat with the real world or even otherworldly elements, this too is only for you to determine. But I believe almost all erotic fiction (notice I say “almost all” there are exceptions to any rule) needs have the progression of seduction, foreplay, and climax.

So, let’s start with seduction.

I can’t tell you how to set up the seduction of your story. God knows, these days, your possibilities are limitless on how seduction can come off. It could happen in email, Twitter, or when two people bump into each other in a Starbucks’ line. It might take all of a paragraph and represent the moment we first meet your characters, as it can last for pages. I’ve as much written drawn-out slow dances of fits and starts or the grand big complicated tease as I have Whammo Bango ‘let’s get it on,’ explosions of realizations. One person might recognize a fellow kinkster sitting across from them in their college study hall, and these sophomores manage to squirrel away to an empty classroom for some mutual bare ass spankings minutes after they meet. Another couple might bump into one another at different junctures of history and try to bring off their attraction only to be thwarted at every turn by some supernatural element, their seduction therefore taking decades.

Again, your possibilities are limitless.

As most likely, your seduction will come at the beginning of your story; it can serve multiple purposes. As much a solid place to begin your heated scribbling, during the seduction, you can also introduce characters (as mentioned up above), as you could set a location or slip in the overall theme of your tale right from the jump. Here too, might be the place or impetus for the supernatural element to be made plain or for you to tickle the beginnings of a mystery you slowly reveal across your pages. The seduction scene might also birth a subplot or two.

But be cautioned, as always, when writing erotica; we need to balance the heat with how much exposition we slip in. Whatever you bring to the seduction(s) scenes (setting, the complexity of character, introducing a MacGuffin) to just ‘info-dump’ because you have the room to do so is not always the best course. I’ve seen many a writer (me included) begin a story, bring a handful of characters together, settle on a juicy little seduction scene, sprinkle in a whole bunch of other elements, but then end up stymied for the next steps worrying they (I) have already blown their (my) load.

Think of the seduction as the first bloom of heat between your characters. It’s the set-up, clumsy or sly, dangerous portent or promise of passages hotter than any E.L. James, an easy entre’ to a metered romance or the reluctant happenstance of a moment two people know they should avoid at all costs, but simply cannot.

Make of it what you will.

But remember, the essential part of writing the seduction of your story is… you won’t be able to apply any of what I have just advised unless you first write it.

So, start writing.


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